By JJ Marsh

Blog followers, this is a sneak preview just for you.

 

Since I first published in 2013, technology has hurtled ahead like a pug after a pussycat, dragging me stumbling in its wake. Unlike the real pug/puss scenario, where the former gives up or the latter stands its ground, I’ve realised I can’t keep up with all the developments and write more books. I need help.

All savvy publishers must master the following:

Blog – check

Website – check

Social Media platform – I should coco

Marketing plan – OK then

Mailing list – sort of

Update all of the above regularly – ummm…

So fifteen years on, it’s time for a makeover.

Today, I launch a brand new website, containing all kinds of extras: beverage recommendations from Harvey’s Wine Emporium, a mailing list for my Special People, a cleaned-up classy blog – you’re looking at it right now – and a selection of rabbit-holes for the insatiably curious. If it only had cake too, Beatrice would love it.

 

Come and have a nose around. Sign up if you want to join the club.

That’s where I’ll announce Book 7 and seek my Advance Reader Team and offer random goodies.

This is all the work of Sainte Susan Platt or Platt SBC Productions  whose creative and technical talents are limitless. I owe her an enormous debt of gratitude and a large bottle of gin.

http://beatrice-stubbs.com/

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Utrecht 2007

“Howzit? You got here, then?”

“Yes, Joop. I got here. At last.”

“Uh oh. Delays?”

“Right now I’m in a taxi from the airport. Not only did we leave Jo’burg three hours late, but I missed the transfer in Frankfurt and now we’ve just circled Schiphol for forty-five minutes, waiting for a slot.”

Only an asshole like Joop would think it a good idea to whistle into a cell phone.

“Joop, listen. I need to take a shower and eat something. After that, I want to crash.”

“Shit, man. That’s all you want to do? Friday night is jol night, but if you’re creamed…?”

Creamed? Where the hell had this guy learnt his English?

“There’s just one other thing I need.”

“No sweat. An SMS is on its way with the number of that agency I mentioned. It’s not cheap but you can feel the quality.”

“I appreciate that. Meet me in the foyer at ten on Monday, OK?”

“Don’t wanna do anything tomorrow?”

“I got plans, Joop.”

“See you Monday then. Sweet dreams.”

Asshole.

He watched the scenery, such as it was. Grey, flat and bleak, with the occasional windmill to make sure you were paying attention. The hotel was a pleasant surprise. The first of the day. Street noise left behind, he glanced up at what looked like some kind of institution in its own grounds. Classy and quiet. His kind of place.

Goede avond en onthaal. Welcome to Utrecht, Sir. We have good news for you. You have an upgrade today, to one of our Empire Suites. Please follow the porter.”

A second pleasant surprise. Plenty of space, working area, two TVs, and most importantly, a vast bed. He palmed the kid a coin, who left him to explore the room in peace. Throwing off his coat, he sat on the bed. Heavy linen, an excess of pillows and a firm mattress, which would be seeing some action in the next few hours, if Joop wasn’t exaggerating about that agency. The bathroom was massive, well-furnished with towels and little bottles of wife-pleasing potions. He made a mental note to throw some into his case. And a wall of mirrors behind the bath. Better and better. His mood started to lift. There was a message on the flat screen at the foot of the bed.

Mr van der Veld

Welcome to Grand Hotel Karel V

We hope you enjoy your stay.

Flicking to Bloomberg, he started to undress, while checking the screen for any significant currency movements. As he kicked off his shoes, he noticed the ice bucket and chilled Krug Grande Cuvée. There was a card.

With compliments of D’Arcy Roth.

That explained the upgrade. Nice touch. Unnecessary, as there was no-one else in the running, but it certainly put their potential client in the right frame of mind. So, a shower, a glass of Krug, order room service and put a call through to this agency. All needs met.

As he unzipped his case to find his toiletries bag, he heard a discreet knock at the door. He frowned. Unexpected visitors, including hotel employees who wanted to ‘turn down’ his bed, were not welcome. He pulled open the door and his frown lifted. The neat grey suit, official clipboard and pulled-back sleek blonde hair told him she was a hotel employee. The pale skin, drawn over fine bones and high forehead, grey-blue eyes and cherub lips told him she was more than welcome. He checked the name badge. Annelise Visser.

“Good evening, Mr van der Veld. My name is Frau Visser and I …”

“Good evening, Annelise. Nice to meet you.” He offered his hand. A momentary flush before she recovered herself to shake it. He was well aware that conventions in the Netherlands dictate that one should use surnames in formal situations. He didn’t give a shit.

“I am the Senior Hospitality Director, sir. I am here to check that your suite is satisfactory.”

“The suite seems fine, Annelise, but I do have one concern.”

The smooth dome of her forehead contracted.

“A concern? What would that be, sir?”

“The champagne.” He pushed back the door and indicated the ice bucket. “Can I be sure this is top quality? You see, I’m used to drinking the best.”

“Sir, the champagne is a Krug Grande Cuvée, and was specifically selected by your company …” a glance at her clipboard. “D’Arcy Roth.”

“They are not yet my company, Annelise. They want me as their client. But if you’ll consent to taste the champagne with me, I guess we can agree that the suite is satisfactory.”

A proper blush now. He loved a blush on a blonde. Pink cheeks, pale skin reddened with warmth. He wanted to turn her over, pull down those panties and spank her right there. Raise some heat in those cheeks.

“Sir, I thank you, but I am on duty right now. Drinking alcohol would be inappropriate.”

“This is the hotel that ‘exceeds your expectations’, right?”

“Yes, but …” She laughed. “OK, I will taste the champagne. But then I am afraid I must go. I have to consider the needs of other guests.”

He didn’t reply, but gestured to the sofa. She sat, knees together, the grey skirt riding up slightly. The lamp behind her created a halo effect. An angel. He smiled as he twisted the cork. She was going nowhere. As the cork popped, he caught the overflow in a flute, with a loaded glance at her to see if she picked up on the image. She returned his smile, politely. He slid beside her and handed her a glass. Before he could propose a toast, she set her glass on the table.

“I’m sorry, sir. Champagne always gives me the hiccups. Would you mind if I take some water? I can get it.”

He placed a hand on her knee. “Sit still. You’re my guest.”

She jumped at the touch of his hand. And he still hadn’t made skin contact, as she wore pantyhose. He hated pantyhose.

In the mini-bar, there was an array of different waters. He grabbed a bottle of Evian and showed it to her. She nodded. Returning to his seat, he placed the water in front of her and raised his flute.

“To a very pleasant stay in Utrecht.”

She tipped her glass to his and looked at him. “To a pleasant stay in Utrecht.” She sipped at the fizz and closed her eyes. “Mmm. I don’t wish to prejudice your opinion, but in my view, that’s lovely.”

Her voice was soft, intimate and breathy. He wanted to hear her say those words again. Mmm, that’s lovely. Preferably as she drew her nails down his back. He hadn’t even registered the taste, but his glass was two-thirds empty.

“I don’t know, Annelise, the jury’s still out. Maybe the second glass will clinch it.” He refilled his and she didn’t stop him replacing the tiny sip she had taken. A good sign.

“Now, what time do you finish tonight, Annelise?” His tongue felt thick and his speech sounded slow.

She swallowed some water and caught a stray droplet with the tip of her tongue. Shit, he wasn’t sure if he could wait till later.

She avoided the question. “Why are you in Utrecht, Mr van der Veld? Is it just business, or pleasure?”

He took another slug and leaned towards her. He felt hot, horny and even a little drunk.

“Until five minutes ago, strictly business. But now, I’m not so sore.”

That struck him as funny, because he wasn’t sore at all. But he was as sure as he’d ever be. He started to laugh, but her eyes were looking into his, with intent. Was it too soon to …?

She smiled and reached for the bottle, refilling both glasses. Her voice was low, full of suggestion. He watched her lips.

“Have I satisfied your concerns regarding the champagne, sir?”

That was flirting. No doubt at all. His body felt warm and heavy and soft, with the exception of his cock, which hardened as she placed her hand on his thigh. She lifted the flute to his lips.

“Satisfy my champagne yet.” His lips buzzed and seemed to be slurring. It didn’t bother him. He felt euphoric, completely relaxed. This was turning out to be quite a hotel. Who needed an agency when room service was laid on? She dropped her gaze to his crotch and up to his eyes. Pupils dilated. She wanted him.

“I guess you wanted to freshen up before I arrived?”

He nodded, and managed to mumble the word, “Shower.”

“How about I run you a bath? More fun.”

No mistaking that. She moved to the wardrobe and opened the door. He tried to tell her the bathroom was behind the other door, but she’d already found it. He laughed again. You’d think the staff … He reached for his glass, barely able to lift it to his lips. His arms were leaden as hell and he felt fantastic. No idea if he’d be able to perform.

 

Here she comes. Pulling him to his feet, helping him undress, just like a nurse, what with the gloves and all. Easing him into the bath. Beautiful; soft hands, warm water. He sinks up to his chin, smiling. He can’t recall feeling better in his life.

She’s smiling too. And singing. He recognises the tune and tries to join in. He wants to touch her face but he can’t move. He’s happy, stroked and caressed by this beautiful woman.

The patterns are hypnotic. Crimson clouds twisting and swirling in the water. He watched as clear water loses the battle, dominated by red. She moves to the other side and turns his wrist, as if she’s trying to see what he has hidden in his hand. It’s funny and it makes him laugh. She’s not laughing. Her face is sharp with concentration as she draws the razor blade along his vein, from wrist to elbow. More red joins the fray, and the clear water doesn’t stand a chance. Now she smiles and puts the blade in his right hand. He can’t hold it and it falls into the redness. He watches it fall, helpless. He heaves his head up to look at her reflection in the mirror and attempts a smile.

It’s not working. He looks like an old dog with wind.

 

Behind Closed Doors is the first in The Beatrice Stubbs Series.

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The final book in The Beatrice Stubbs Series is ready for preorder!

Ebook release: 26 May

Paperback: 3 June

Come along to hear me read, answer questions and sign copies with fellow crime writer Debbie Young on Friday 2 June at Waterstones, Tottenham Court Road. http://bit.ly/2qOn3zE

And here, an exclusive for my blog followers, are the first two pages of Bad Apples.

*****

Extract from Rogue by Anonymous

Bears, clowns, cats, butterflies, demons and angels cavort along the banks of the canal, dancing, laughing and twirling their capes in ceaseless balletic arcs. Music drifts through the night air from the square up ahead, growing louder and more frenetic as I approach. My feet stamp along with the beat.

A black and white chequered mask looms out of the crowd. Man or woman? I have no way of telling. It points directly at me and beckons. A strange force compels me forward. As if under a spell, I have no choice but to follow. The light-footed creature tiptoes onto a tiny bridge, stands in the middle, claps silently in time to the music then runs backwards, drawing its arms together, suggesting an embrace.

Aroused and afraid of losing sight of this hypnotic stranger, I cleave from the crowd and speed up, breaking into a run over the ancient stone edifice after the disappearing figure. A flash of white down an alleyway catches my eye and I give chase, my breath ephemeral clouds in the February chill. Moonlight barely penetrates these tiny backstreets, and when it does, merely illuminates skeins of gauzy mist rising from the Venetian waters, creating a theatrical dry ice effect. A whistle from above makes me look up.

The china-faced harlequin, high above me on a crumbling balcony, lit by an arcane street lamp, genuflects in an elaborate bow. I tilt my head back as far as it will go and stare up at the apparition. How did it get up there so fast? Impossible, unless whoever it is has wings. And how am I supposed to follow? I pace backwards across the deserted street until my back grazes the stone wall and fix my attention on the balcony – a stage no bigger than a dining-table – as the performance begins.

The harlequin spreads its arms wide, revealing the dramatic scarlet lining of its black and white cape. Each arm makes a sweeping gesture, once left, once right, acknowledging a vast imaginary audience. The head rolls in figures of eight, apparently seeking someone in the crowd. Then with catlike precision, the mask looks directly at me. One hand floats to its mouth and it blows me a kiss. I press my fingers to my mouth, offer them upwards and blow one in return.

The harlequin clutches at its heart with one hand; the other reaches out to snatch the kiss from the ether. The clenched fist remains in the air while the head is bowed in gratitude. Long hair, black as midnight, spills around the frozen features. This is a woman, I am now sure. With a slow, ritualistic gesture, the figure brings her fist to her mouth and raises her chin in ecstasy.

Once more the arms widen, as if receiving rapturous applause, and then the figure bows to the left, right and centre. She brings both hands to her painted mouth and blows an expansive kiss to her public. Her arms mime a giant heart shape as she embraces her watchers and holds them close. She repeats the gesture, her beautifully chiselled mask somehow evoking modesty, pride, love and passion without a single movement. The third time her hands return to her heart, they are no longer empty.

In the left, a single red rose, striking against the white diamond on the front of her cape. In the right, a handgun, aimed upwards beneath her chin. She kisses the rose and lets it fall from the balcony to the street below. I watch it tumble to the ground, its petals scattering on the cobbles. The shocking report of a gunshot whips my head upwards.

Against a blood-spattered backdrop, her body crumples over the stone balustrade. Long black hair dangles from the remnants of her blasted skull and the white diamonds of her cape turn dark. Something breaks at my feet. Her mask, cracked into shards. I lift one to the light. Her mouth, painted in a silent, frozen smile.

*****

Order your copy here:

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Paperbacks will soon be available at all good bookshops.

PS: If you want one of the secret signed copies, get in touch.

 

 

My fabulous colleagues at Triskele make me sound rather nice.

Thanks, gang!

Triskele_Group_018

This is the third in our series – what each brings to Triskele Books.

http://triskelebooks.blogspot.ch/2017/01/triskele-author-feature-jj-marsh.html

I’m an indie author and proud of it.
But I didn’t exactly go it alone.
I chose the collective route.
Here’s why.
http://www.triskelebooks.co.uk/home/4561070049

 

Triskele Books is an author collective spread over three countries and two time zones. So it’s no surprise that all Triskele novels have a strong sense of time and place.

How does it work? Answers from the gang.

How does an author collective differ from a small press?

Jill: It’s very similar to a small press, but the crucial difference is our independence. Legally, we wanted to retain our own rights, so we chose not to create a publishing house. Instead, we just act like one. We’re a group of people who can edit, proof, consult, advise, co-promote and market on a shared platform. Each of us works as an independent entity but we all benefit from mutual support. Financially, we contribute equally to any costs incurred, such as webhosting, print materials, etc, but each of us keeps the profits from our own books.

What factors triggered each of you to go indie?

Liza: We’d met each other via an online writing group, and found ourselves in a similar situation: Gillian and I both had agents, but they couldn’t find our books a home. Jill stopped trying the trad route after an agent called her work too cerebral. Catriona was left dangling by a publisher for two years, until she wrote them a rejection letter. And Jane (JD) loved the freedom of creativity found by going indie.

We got together and discussed our options. Going the independent route, as a team, felt more manageable. We established ideals: high quality writing and professional presentation, and committed ourselves to publishing the books we wanted to write, not what the market dictated.

Triskele_Group_018

Kat, Liza, Gilly, Jill, Jane

How did your publishing cooperative come together, and what made you decide to establish it? How many of you are there?

Catriona: I began reading about author collectives in the States. And I thought this has to be the way forward, the power in working together.
So four years ago, the original members of Triskele met in London to decide if the idea really had legs. Turns out it did. Ten of them.

Triskele has five core members and periodically we bring ‘associates’ on board, whose writing we feel we can develop. We were recently dubbed The Wu-Tang Clan of Publishing.

What elements of the publishing process are done collectively? How do you handle the finances, such as royalties and so on?

Gillian: We critique, edit and proof each other’s drafts before they go for professional proofreadings. If needed we all give advice on cover design too.

Finances have been relatively simple. We all keep our own royalties from sales of our own books. If we choose to market or advertise Triskele collectively, we all contribute equal shares. And for joint ventures, like The Triskele Trail, we divide initial outlay and profits go into our Triskele bank account to cover future overheads like webhosting, print materials, advertising etc.

triskelites

Where does the Triskele name come from? Does a Triskele book have an identifiable style that sets it apart?

Jane: The name came from the Celtic symbol of the triskele, which shows three independent circles joining to form something greater than its parts. It represents the concept of our collective – authorial independence balanced by mutual support. Going it alone, together.

Triskele books are top quality – they must be well-written, tell a good story and contain a strong sense of place, which is Triskele’s USP. They’re also thoroughly edited, proofread, carefully typeset and have a professional cover.

What about the design aspects? Do you share a designer? And do you try and go for a shared look or feel?

Liza: We’re lucky enough to have talented designer JD Smith on the team, so yes, we all use the same designer. We don’t go for a shared look since we range across different genres, but we try to harmonise all our visual material.

heads soft

Triskelites in Porto

You are located in three different countries. How do you manage the communication issue?

Gillian: Skype! And email. And we have our own Facebook private page. We communicate every day but only meet physically three or four times a year. But when we do, it’s brilliant fun!

What do you see as the key benefits of being in a collective? Any disadvantages? What advice would you give someone thinking of doing the same?

Catriona: Two huge advantages! Firstly, you are not a lone voice crying in the wilderness. These days, it can be pretty hard to keep thinking of new and original things to say, so you don’t become one of those awful people on social media who just keeps bleating, ‘buy my book, buy my book!’ Being part of a group means you can take turns spreading the word in your own style.

The second advantage is having someone to answer questions and give advice. Among the five of us, someone will have had the same problem and know a solution. And on a larger scale, there’s the Alliance of Independent Authors, an amazing source of information.

Disadvantages? The classic downside of being a team player – if you mess up, it’s not just yourself you’re letting down. That adds a lot of pressure. But the flipside is the others are there to catch you if you fall.

My advice would be to learn from those who’ve gone before, then find the path that’s right for you. There’s no one way to do this.http://triskelebooks.blogspot.co.uk/How do you know whether an author is a good ‘fit’ for Triskele Books? Are you actively seeking new members?

Jane: Writing good books is a given. We as a group need to ‘fit’. When working so closely as a team, it’s important everyone pulls their weight and believes in the collective as a whole. We share experiences, snippets of information, the highs and lows, opportunities for genres, news stories relevant to an author’s theme, place or period. We’re really supportive of each other and the group. We’re not seeking new members at the moment. We’ve found our ideal balance.

What are your plans for the future?

Jill: Every six months, we stop and evaluate where we’re going. What’s working, what needs to be improved, and how best to move forward. We’re planning The Big Launch Party for November 2015, writing new books and organising festival appearances; exploring formats, such as audiobooks, boxsets, translations and adaptations, and finding more ways to connect good books to discerning readers.

Triskele_Group_041 bw

http://triskelebooks.blogspot.co.uk/
http://www.triskelebooks.co.uk/

 

Gillian E Hamer’s novels are set in North Wales, blending modern crime, ancient history and an otherworldly element.

JJ Marsh writes contemporary European crime. The Beatrice Stubbs series explores ethics, politics and justice – from Athens to Zürich.

Liza Perrat’s historical fiction novels are set in rural France against the backdrop of the French Revolution, WWII and The Black Plague from the perspective of extraordinary women.

Catriona Troth’s novella, Gift of the Raven, takes place in Canada in the 1970s while Ghost Town tackles the themes of race and identity in 1980s Coventry.

JD Smith’s retelling of the Tristan and Iseult legend brings ancient Ireland and Cornwall vividly to life. The Overlord Series takes the reader back to 3rd Century Syria to tell the story of Zenobia, Warrior Queen of Palmyra.